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The press release says the 2 artists association is unexpected and unprecedented: well... Nothing is said about what has driven the Gallery to do so.
It's not complicated to appreciate the "connection"- profiles, body, shapes, flesh, curves, texture, shadow and light, the sculptural nature, and, in the end, the allure that stands out.
I've seen last Fall, at La Punta Della Dogana in Venezia, a somehow more impactful installation, with the same idea/intention behind:
With the same serie of black-dark photographs from Hiroshi Sugimoto, were displayed, in one single long "corridor", giving at both extremities on the Grand Canale, lying on the floor, Maurizio Cattelan's famous white marble wrapped bodies (above): here, Sugimoto's models without head, disconnected from the human body, are direcly confronting Cattelan's deads.
Great days, from Palazzo Grassi Piotr Uklanski "Dancing Nazis" to the Biennale Architettura super-great curation from my favorite SANAA co-runner, Kazuyo Sejima.
From la Punta della Dogana Tadao Ando's brilliant transformation to the deceptive Calatrava bridge at Piazzale Roma.
From Palazzo Ducale and Peggy Guggenheim Collection classic stops and a few other arty spots, ending at the airport with Tommy Hilfiger great suitcases celebrating with elegance the Biennale closing
Too bad, Italians in their kingdom, which most reputated houses commission the best architects, like Prada with its Foundation in Milan by Rem Koolhas, or differently, like Benetton with its "Fabrica", close, in Treviso, by visionnary Renzo Piano, didn't have the idea to celebrate the Biennale with such allure !
























